Saturday, June 25, 2011

Peter Falk, TV's rumpled Columbo, has died


NEW YORK – The best way to celebrate Peter Falk's life is to savor how Columbo, his signature character, fortified our lives.

Thanks to Falk's affectionately genuine portrayal, Lt. Columbo established himself for all time as a champion of any viewer who ever felt less than graceful, elegant or well-spoken.

Falk died Thursday at age 83 in his Beverly Hills, Calif., home, according to a statement released Friday by family friend Larry Larson. But Columbo lives on as the shining ideal of anyone with a smudge on his tie, whose car isn't the sportiest, who often seems clueless, who gets dissed by fancy people.

As a police detective, Columbo's interview technique was famously disjointed, with his inevitable awkward afterthought ("Ahhh, there's just one more thing...") that tried the patience of his suspect as he was halfway out the door.

Columbo was underestimated, patronized or simply overlooked by nearly everyone he met — especially the culprit.

And yet Columbo, drawing on inner pluck for which only he (and an actor as skilled as Falk) could have accounted, always prevailed. Contrary to all evidence (that is, until he nailed the bad guy), Columbo always knew what he was doing.

Even more inspiring for viewers, he was unconcerned with how other people saw him. He seemed to be perfectly happy with himself, his life, his pet basset, Dog, his wheezing Peugeot, and his never-seen wife. A squat man chewing cigars in a rumpled raincoat, he stands tall among TV's most self-assured heroes.

What viewer won't take solace forever from the lessons Columbo taught us by his enduring example?

Columbo — he never had a first name — presented a refreshing contrast to other TV detectives. "He looks like a flood victim," Falk once said. "You feel sorry for him. He appears to be seeing nothing, but he's seeing everything. Underneath his dishevelment, a good mind is at work."

On another occasion, he described Columbo as "an ass-backwards Sherlock Holmes."

"As a person, he was like Columbo. He was exactly the same way: a great sense of humor, constantly forgetting things," said Charles Engel, an NBCUniversal executive who worked with Falk on "Columbo" and was his neighbor and longtime friend.

He remembered Falk as a "brilliant" actor and "an amazingly wonderful, crazy guy," and said a script was in place for a two-hour "Columbo" special, but Falk's illness made the project impossible. In a court document filed in December 2008, Falk's daughter Catherine Falk said her father was suffering from Alzheimer's disease.

Somehow fittingly, Falk — the perfect choice to play Columbo — failed to be the first choice. Instead, the role was offered to easygoing crooner Bing Crosby. Fortunately, he turned it down.

With Falk in place, "Columbo" began its run in 1971 as part of the NBC Sunday Mystery Movie series, appearing every third week. The show became by far the most popular of the three mysteries, the others being "McCloud" and "McMillan and Wife."

Falk was reportedly paid $250,000 a movie and could have made much more if he had accepted an offer to convert "Columbo" into a weekly series. He declined, reasoning that carrying a weekly detective series would be too great a burden.

NBC canceled the three series in 1977. In 1989 ABC offered "Columbo" in a two-hour format usually appearing once or twice a season. The movies continued into the 21st century. "Columbo" appeared in 26 foreign countries and was a particular favorite in France and Iran.

Columbo's trademark: an ancient raincoat Falk had once bought for himself. After 25 years on television, the coat became so tattered it had to be replaced.

Falk was already an experienced Broadway actor and two-time Oscar nominee when he began playing Columbo. And, long before then, he had demonstrated a bit of Columbo-worthy spunk: at 3, he had one eye removed because of cancer.

Then, when he was starting as an actor in New York, an agent told him, "Of course, you won't be able to work in movies or TV because of your eye." And after failing a screen test at Columbia Pictures, he was told by studio boss Harry Cohn that "for the same price I can get an actor with two eyes."

But Falk prevailed, even before "Columbo," picking up back-to-back Oscar nominations as best supporting actor for the 1960 mob drama "Murder, Inc." and Frank Capra's last film, the 1961 comedy-drama "Pocketful of Miracles."

Paying tribute, actor-comedian Michael McKean said, "Peter Falk's assault on conventional stardom went like this: You're not conventionally handsome, you're missing an eye and you have a speech impediment. Should you become a movie star? Peter's correct answer: Absolutely.

"I got to hang with him a few times and later worked a day with him on a forgettable TV movie," McKean went on, calling Falk "a sweet, sharp and funny man with a great soul. Wim Wenders called it correctly in `Wings of Desire': He was an angel if there ever was one on Earth."

"There is literally nobody you could compare him to. He was a completely unique actor," said Rob Reiner, who directed Falk in "The Princess Bride."

"His personality was really what drew people to him. ... He had this great sense of humor and this great natural quality nobody could come close to," Reiner said. Falk's work with Alan Arkin in "The In-Laws" represents "one of the most brilliant comedy pairings we've seen on screen."

Peter Michael Falk was born in 1927, in New York City and grew up in Ossining, N.Y., where his parents ran a clothing store.

After serving as a cook in the merchant marine and receiving a master's degree in public administration from Syracuse University, Falk worked as an efficiency expert for the budget bureau of the state of Connecticut.

He also acted in amateur theater and was encouraged to become a professional by actress-teacher Eva Le Gallienne.

An appearance in "The Iceman Cometh" off-Broadway led to other parts, among them Josef Stalin in Paddy Chayefsky's 1964 "The Passion of Josef D." In 1971, Falk scored a hit in Neil Simon's "The Prisoner of Second Avenue," Tony-nominated for best play.

Falk made his film debut in 1958 with "Wind Across the Everglades" and established himself as a talented character actor with his performance as the vicious killer Abe Reles in "Murder, Inc."

Among his other movies: "It's a Mad, Mad, Mad, Mad World," "Robin and the Seven Hoods," "The Great Race," "Luv," "Castle Keep," "The Cheap Detective" and "The Brinks Job."

Falk also appeared in a number of art-house favorites, including "Wings of Desire" (in which he played himself as a former angel), and the semi-improvisational films "Husbands" and "A Woman Under the Influence," directed by his friend John Cassavetes.

"Today we lost someone who is very special and dear to my heart. Not only a wonderful actor but a very great friend," said Gena Rowlands, who co-starred with Falk in the latter film, and was married to the late Cassavetes.

Falk became prominent in television movies, beginning with his first Emmy for "The Price of Tomatoes" in 1961. His four other Emmys were for "Columbo."

He was married to pianist Alyce Mayo in 1960; they had two daughters, Jackie and Catherine, and divorced in 1976. The following year he married actress Shera Danese. They filed for divorce twice and reconciled each time.

When not working, Falk spent time in the garage of his Beverly Hills home. He had converted it into a studio where he created charcoal drawings. He took up art in New York when he was in the Simon play and one day happened into the Art Students League.

He recalled: "I opened a door and there she was, a nude model, shoulders back, a light from above, buck-ass naked. The female body is awesome. Believe me, I signed up right away."

Falk is survived by his wife Shera and his two daughters.

___

Associated Press Television Writers Lynn Elber and David Bauder, Entertainment Writer Anthony McCartney and former writer Bob Thomas in Los Angeles contributed to this report.

Jermaine Jackson honors his late brother


TORONTO – Jermaine Jackson performed a nostalgic tribute concert Friday to his late brother Michael Jackson to mark the second anniversary of the pop star's death as part of the 12th Indian International Film Awards festivities in Toronto.

Dressed in a Michael Jackson-inspired outfit, complete with a red military-style jacket, V-neck white shirt, fitted black slacks and a black cummerbund with an emblazoned number "5," the former Jackson 5 performer sang a medley of his brother's hits including "Scream," "Wanna Be Startin' Somethin'" and "Can You Feel It."

"This is a special moment in the show because it's a tribute to my brother," said Jackson moments before joining Indian singer Sonu Nigam to perform "This is It," a song written by Nigam after the megastar's death, which the singers dedicated to the pop icon on stage.

The pair performed at IIFA Rocks, a Bollywood-inspired concert and fashion show bonanza which is part of the academy's three days of film, song and dance that culminates in Saturday's awards ceremony, often referred to as the Indian Oscars.

IIFA Rocks also kickstarted the awards portion of the weekend by giving away some technical film awards in between bouts of fashion runway shows and high-energy musical performances.

Romantic comedy "Band Baaja Baarat" and the action movie "Dabangg" led the pack, each scooping three awards.

Toronto's Ricoh Coliseum was packed with excited Bollywood fans who could hardly contain their excitement when South Asian superstars including "Slumdog Millionaire" actor Anil Kapoor, Bollywood king Shahrukh Khan and veteran stage and film star Anupam Kher took to the stage to announce the winners.

The cheering was so raucous when the venue's camera monitors' flashed on Bollywood superstars sitting in their seats that it sometimes drowning out the hosts, that "When we're speaking, please don't put close-ups of big movie stars on the screen," joked co-host Karan Johar, drawing laughter from the crowd.

Johar and co-host Anushka Sharma alternated between English and Hindi throughout the evening.

Sharma was treated to a hug by Shahrukh Khan, often referred to as "King Khan," whose close-ups on the monitor screens drew the loudest cheers.

"I'm tired of girls giving me a hug. I want a deep passionate kiss," said Khan.

"You're forgetting what would happen at home if that happened," smirked Johar.

Khan retorted, "We're thousands and thousands of miles away. What happens in Toronto, stays in Toronto." But in the end, he played it safe with a big bear hug for the bombshell Bollywood actress.

Much of the evening's music was provided by Shankar Ehsaan Loy, a musical super group consisting of Shankar Mahadevan, Ehsan Noorani and Loy Mendonsa, who also won an award for best background score for their work on "My Name is Khan," starring Shahrukh Khan.

But the real musical superstars were British-Canadian bhangra trio RDB, whose energetic performances with singer Veronica and two players of the drum-like dhol, got the audience shaking their shoulders in their seats and cheering excitedly.

Thursday, June 23, 2011

Tobey Maguire, others are sued over poker winnings


LOS ANGELES – "Spider-Man" star Tobey Maguire and other celebrities have been caught in a web of lawsuits seeking to reclaim more than $4 million won during unlicensed poker matches at upscale Beverly Hills hotels, court records show.

The lawsuits were filed by a bankruptcy trustee attempting to recoup money for investors who were duped in a Ponzi scheme.

The legal actions claim the clandestine Texas Hold `em matches were played between 2006 and 2009, and that card players won hundreds of thousands of dollars from Bradley Ruderman, architect of the Ponzi scheme.

Maguire is being sued for $311,000 plus interest. In all, 22 people have been individually sued to try to recoup money.

Among them was Nick Cassavetes, director of "The Notebook." The trustee is attempting to recover nearly $73,000 plus interest from the actor-director.

His attorney, Ronald Richards, said Cassavetes engaged in no wrongdoing and may try to settle the case for a reduced amount or fight it on the basis that the money cannot be reclaimed.

The lawsuit cites only one 2007 game in which Cassavetes was involved.

He was sued along with others who received a check from Ruderman. However, the matches weren't documented, so it was unclear if Ruderman lost the money himself or was paying for another player, Richards said.

"The theory that is being advanced by the trustee is what we call a novel or original theory," he added.

Maguire's attorney, Robert Barta, did not immediately return a phone message seeking comment but was expected to file a response to the suit later this week.

Also being sued is billionaire businessman Alec Gores, who along with his brother attempted to buy Miramax Films last year. Another defendant is "Welcome Back Kotter" star and poker afficianado Gabe Kaplan, who is being asked to return $62,000, records show.

Gores is being sued for $445,000. In a statement, his attorney Patricia Glaser noted the businessman had not been accused of wrongdoing and she wrote "there was nothing improper about the poker game that is the subject of this lawsuit."

"Mr. Gores will either successfully resolve the claim against him or successfully defend against the claim," Glaser wrote.

She also represents Kaplan, records show, but the statement made no mention of him or any other defendants.

Ruderman was sentenced to 10 years in federal prison earlier this year after pleading guilty to two counts of wire fraud, two counts of investment adviser fraud and willful failure to file taxes.

Richards, who also represents others who were sued over their poker winnings, said none of the players faced any criminal penalties.

"The statutes in California aren't designed to prosecute players for playing poker," he said, adding that the statute of limitations on any gambling charges would have expired or would soon expire.

Bankruptcy trustee Howard Ehrenberg filed the lawsuits in late March, attempting to recoup money on behalf of people who invested in what the legal action called a Ponzi scheme organized by Ruderman.

The suits contend the defendants have no right to keep money won from Ruderman, since the games did not have the appropriate government licenses.

Tournaments were held in luxury hotels in Beverly Hills and organized by a woman identified as Molly Bloom, who is being sued for nearly $475,000 paid to her by Ruderman, the lawsuits say.

Richards, who said he represented Bloom in the past, said she ran a catering and events business and simply received payments from Ruderman for her services.

In addition to trying to recoup money related to the poker games, Ehrenberg has also sued four of Ruderman's associates and relatives to try to reclaim more than $280,000 in gifts and loans.

JK Rowling to reveal secret of 'Pottermore'

LONDON – Harry Potter fans are holding their collective breath as author J.K. Rowling gets set to reveal her latest project involving the boy wizard.

Rowling has called a news conference Thursday in London to reveal details of "Pottermore," a mysterious website that has been taunting fans with the words "coming soon."

Theories include a Harry Potter encyclopedia, e-book versions of the novels or an Internet-based game.

Several British newspapers received what appeared to be a leaked marketing memo indicating the site is a Web-based game including a hunt for real magic wands. But Rowling spokeswoman Rebecca Salt said the memo, dated December 2010, was "an out of date document that got sent out by mistake" and that true details of the project would be revealed Thursday.

"Pottermore" was trademarked in 2009 by Warner Bros., which distributes the Potter movies, but Salt said the site was not directly linked to the latest film, "Harry Potter and the Deathly Hallows, Part 2," which has its world premiere in London on July 7.

Rowling has not ruled out writing more books set in the Potter universe, but Salt has said that "Pottermore" is not a new book.

The trademark description suggests an interactive site "providing online chat rooms and electronic bulletin boards" and "online facilities for real-time interaction with other computer users concerning topics of general interest."

A leading Potter fan site, http://www.the-leaky-cauldron.org, said it had seen a preview of Pottermore and called it "breathtaking."

The Harry Potter books have sold about 450 million copies worldwide and spawned a hit movie franchise and a theme park. Forbes magazine has ranked Rowling as one of the richest women in Britain, with an estimated wealth of $1 billion.

Lindsay Lohan back in court for probation hearing


LOS ANGELES – It's back to court for Lindsay Lohan.

The troubled actress is due in a Los Angeles courtroom on Thursday so a judge can determine whether she violated the terms of her probation on a 2007 drunken driving case.

The district attorney's spokeswoman says her office hasn't yet received information on the potential violation by Lohan.

Sandi Gibbons says the issue relates to Lohan's DUI case and not a misdemeanor theft case the actress resolved with a no-contest plea in May.

The hearing comes as Lohan nears the end of what was expected to be a 35-day stint on house arrest for violating her probation by taking a necklace from a store without permission.

Lohan's spokesman, Steve Honig, declined to comment on what prompted the hearing.

Zhang wraps up World War II-era epic '13 Women'


HONG KONG – He's tackled rural drama, kung fu choreography and period epic over a 23-year career that has made him Chinese cinema's top names. But Zhang Yimou says his recent production starring Christian Bale has been one of his toughest.

Zhang finished shooting his adaptation of the Yan Geling novel "The 13 Women of Nanjing" at a studio near the eastern Chinese city of Nanjing on Wednesday. He said in a statement issued by his production company that it was one of his most grueling shoots ever.

While the shoot for his 2002 kung fu picture "Hero" also lasted 5 1/2 months, that production allowed him to crisscross the country for different locations.

"This movie was based in (the Nanjing county) Lishui. It's been a great imposition on everyone to slave away for 5 1/2 months in confined surroundings. I thank everyone," Zhang was quoted as saying in the statement.

"13 Women" is about 13 sex workers in Nanjing who volunteered to replace university students as escorts for invading Japanese soldiers in the World War II era. The temporary English title for Zhang's adaptation was earlier announced as "Nanjing Heroes" but has not been finalized. Oscar winner Bale plays an American priest.

The $90 million production, which is scheduled to be released Dec. 16, was a 164-day shoot and averaged 18-hour working days, Zhang's production company said.

Working with an international team including Bale and veteran Hollywood special effects expert Joss Williams, one of Zhang's cultural adjustments was yelling "action" and "cut" in English instead of Chinese, the statement said.

Zhang's credits also include "Red Sorghum," "Ju Dou," Raise the Red Lantern" and "The Story of Qiu Ju." His most recent release is last year's romance "Under the Hawthorn Tree."

Lohan due in court for failing alcohol test


LOS ANGELES (AFP) – Troubled US starlet Lindsay Lohan is due back in court Thursday for breaching probation after failing an alcohol test while already on home detention, officials and reports said.

A court hearing will determine if Lohan, currently serving 35 days of home custody with an electronic ankle bracelet, breached the terms of her probation for a 2007 drunk driving incident, the LA District Attorney's office said.

DA office spokeswoman Sandi Gibbons said she did not know the exact nature of the alleged violation, but the TMZ celebrity news website said it was because Lohan tested positive for alcohol in the past week.

TMZ said one of two tests on Lohan was conducted shortly after she hosted a rooftop barbecue, and the website cited sources as saying that LA County Probation Department officials will ask Thursday that she be sent to jail.

Lohan's publicist Steve Honig, when asked whether she had been summoned to court, replied: "I'm neither going to confirm nor deny."

The 24-year-old began her home detention on May 26 as part of a plea bargain over the alleged theft of a $2,500 necklace from a jewelry shop near her home in Venice Beach.

Lohan had already spent a few hours in jail in April, after a judge ruled that she had violated her probation for a 2007 drug and drunk driving offense, when she allegedly stole the necklace on January 22.

It is the latest in a long list of legal tangles for Lohan -- once the promising child star of hit Disney movies "The Parent Trap" and "Freaky Friday" -- who has a reputation for hard partying.

In July of last year Lohan was sentenced to 90 days in jail and another 90 days in rehab for violating her probation in a drunk driving case, but served just 13 days due to prison overcrowding.

She was jailed again in September, but was granted bail after only 15 hours behind bars and subsequently checked into rehab for drug addiction, a course she completed in January.

In 2007, she spent just 84 minutes in jail after police arrested her twice for cocaine possession while driving -- in one instance she crashed her Mercedes-Benz into a tree.

"Buck" brings real Horse Whisperer to movie screens

LOS ANGELES (Reuters) – In 1998 film "The Horse Whisperer," Robert Redford played a man with a unique ability to train horses that seemed out of control. Few people knew that the character, Tom Booker, was modeled after a real man, Buck Brannaman, a cowboy who escaped an abusive childhood to become a horse trainer of unusual abilities.

A new film documentary, "Buck," tells Brannaman's story, which is about helping people as much as it is horses. The movie won the Audience Award at this year's Sundance Film Festival, and following a limited theatrical debut last weekend, expands to more U.S. cities on Friday.

Brannaman, 49, sat down with Reuters to talk about horses, humans and watching his own story told on the big screen.

Q: How do horses mirror humans beings?

A: "The way a horse responds to you tells a lot about your relationship with him. It also tells quite a bit about how you'd approach relationships with other human beings. If the horse accepts you into his world, odds are you're a pretty desirable human being to be around. If it's apparent he can't stand you, there's probably some things you need to shape up in your life that go beyond the scope of working with horses."

Q: In the course of helping people with their horses, you end up helping the actual person. How does that happen?

A: "Most of the things people have going wrong in their relationship with their horse have a lot to do with the baggage they bring to the table. It is manifested in their relationship with the horse. A horse is so sensitive, it can't deal with a person packing that much baggage. It's not a workable situation for the horse. In order to meet the horse at a place where he accepts you, you have to get a handle on that stuff."

Q: You came from an abusive childhood but did not grow up to become the same way. How did you avoid that?

A: "When you go through something like that, the (abuser) steals your childhood and you never get that back. But they can't steal your innate knowing that there is a right and a wrong. They can't steal your will to make decisions. And eventually at some point everybody has to decide which way they're going to allow their life to go."

Q: From your harrowing childhood to the foster parents that took you in -- it's all on screen in "Buck." Is it an emotional film for you to watch?

A: "It is. Particularly the scene where a friend of mine, Gary Myers, is talking about my brother and I when we were in school together. I've known Gary all my life. For him to tell that story -- when it was at its worst with my dad -- to see how that affected him and how emotional that made him, that's hard to watch. I never knew it affected him so much."

Q: There is one scene in "Buck" where not even you could help a violent horse. You said humans failed the horse. How?

A: "Humans failed in their responsibility to help that horse learn right from wrong at an early enough stage before he became lethal. There's a powerful message in that horse and it is about taking responsibility, whether you're going to have horses, children or dogs. That horse could have been me as a kid. But I happened to go into a foster home with two really wonderful people that turned my life around and started me in the right direction."

Q: Your foster mother, Betsy Shirley is also in the film.

A: "Yes, she's still alive at 88. She is so precious. Every time I see my mom up there, I'm crying. And it thrills me to see my daughter (Reata Brannaman) in the film. I never get tired of seeing that part."

Q: You were an inspiration for the key character in the book and film "The Horse Whisperer." What was fact and what was fiction in that movie?

A: "Everything was fictional about it except what the main character of Tom Booker did for a living. That was the only real part. Throughout the course of the film, it took him all summer to work with that horse. In reality, it wouldn't have taken that long to help that particular horse."

Q: Has "Buck" changed you at all since it came out?

A: "Not really, but I hope it changes some people. I hope some people would think, 'I sure wouldn't mind being like (Brannaman's foster mother) Betsy Shirley.' There are a lot of kids around that people don't want, or that have no place. It might occur to someone to follow the same path that she did. If that's all that came of it, it was worth it."

"Buck" brings real Horse Whisperer to movie screens

LOS ANGELES (Reuters) – In 1998 film "The Horse Whisperer," Robert Redford played a man with a unique ability to train horses that seemed out of control. Few people knew that the character, Tom Booker, was modeled after a real man, Buck Brannaman, a cowboy who escaped an abusive childhood to become a horse trainer of unusual abilities.

A new film documentary, "Buck," tells Brannaman's story, which is about helping people as much as it is horses. The movie won the Audience Award at this year's Sundance Film Festival, and following a limited theatrical debut last weekend, expands to more U.S. cities on Friday.

Brannaman, 49, sat down with Reuters to talk about horses, humans and watching his own story told on the big screen.

Q: How do horses mirror humans beings?

A: "The way a horse responds to you tells a lot about your relationship with him. It also tells quite a bit about how you'd approach relationships with other human beings. If the horse accepts you into his world, odds are you're a pretty desirable human being to be around. If it's apparent he can't stand you, there's probably some things you need to shape up in your life that go beyond the scope of working with horses."

Q: In the course of helping people with their horses, you end up helping the actual person. How does that happen?

A: "Most of the things people have going wrong in their relationship with their horse have a lot to do with the baggage they bring to the table. It is manifested in their relationship with the horse. A horse is so sensitive, it can't deal with a person packing that much baggage. It's not a workable situation for the horse. In order to meet the horse at a place where he accepts you, you have to get a handle on that stuff."

Q: You came from an abusive childhood but did not grow up to become the same way. How did you avoid that?

A: "When you go through something like that, the (abuser) steals your childhood and you never get that back. But they can't steal your innate knowing that there is a right and a wrong. They can't steal your will to make decisions. And eventually at some point everybody has to decide which way they're going to allow their life to go."

Q: From your harrowing childhood to the foster parents that took you in -- it's all on screen in "Buck." Is it an emotional film for you to watch?

A: "It is. Particularly the scene where a friend of mine, Gary Myers, is talking about my brother and I when we were in school together. I've known Gary all my life. For him to tell that story -- when it was at its worst with my dad -- to see how that affected him and how emotional that made him, that's hard to watch. I never knew it affected him so much."

Q: There is one scene in "Buck" where not even you could help a violent horse. You said humans failed the horse. How?

A: "Humans failed in their responsibility to help that horse learn right from wrong at an early enough stage before he became lethal. There's a powerful message in that horse and it is about taking responsibility, whether you're going to have horses, children or dogs. That horse could have been me as a kid. But I happened to go into a foster home with two really wonderful people that turned my life around and started me in the right direction."

Q: Your foster mother, Betsy Shirley is also in the film.

A: "Yes, she's still alive at 88. She is so precious. Every time I see my mom up there, I'm crying. And it thrills me to see my daughter (Reata Brannaman) in the film. I never get tired of seeing that part."

Q: You were an inspiration for the key character in the book and film "The Horse Whisperer." What was fact and what was fiction in that movie?

A: "Everything was fictional about it except what the main character of Tom Booker did for a living. That was the only real part. Throughout the course of the film, it took him all summer to work with that horse. In reality, it wouldn't have taken that long to help that particular horse."

Q: Has "Buck" changed you at all since it came out?

A: "Not really, but I hope it changes some people. I hope some people would think, 'I sure wouldn't mind being like (Brannaman's foster mother) Betsy Shirley.' There are a lot of kids around that people don't want, or that have no place. It might occur to someone to follow the same path that she did. If that's all that came of it, it was worth it."

"Buck" brings real Horse Whisperer to movie screens

LOS ANGELES (Reuters) – In 1998 film "The Horse Whisperer," Robert Redford played a man with a unique ability to train horses that seemed out of control. Few people knew that the character, Tom Booker, was modeled after a real man, Buck Brannaman, a cowboy who escaped an abusive childhood to become a horse trainer of unusual abilities.

A new film documentary, "Buck," tells Brannaman's story, which is about helping people as much as it is horses. The movie won the Audience Award at this year's Sundance Film Festival, and following a limited theatrical debut last weekend, expands to more U.S. cities on Friday.

Brannaman, 49, sat down with Reuters to talk about horses, humans and watching his own story told on the big screen.

Q: How do horses mirror humans beings?

A: "The way a horse responds to you tells a lot about your relationship with him. It also tells quite a bit about how you'd approach relationships with other human beings. If the horse accepts you into his world, odds are you're a pretty desirable human being to be around. If it's apparent he can't stand you, there's probably some things you need to shape up in your life that go beyond the scope of working with horses."

Q: In the course of helping people with their horses, you end up helping the actual person. How does that happen?

A: "Most of the things people have going wrong in their relationship with their horse have a lot to do with the baggage they bring to the table. It is manifested in their relationship with the horse. A horse is so sensitive, it can't deal with a person packing that much baggage. It's not a workable situation for the horse. In order to meet the horse at a place where he accepts you, you have to get a handle on that stuff."

Q: You came from an abusive childhood but did not grow up to become the same way. How did you avoid that?

A: "When you go through something like that, the (abuser) steals your childhood and you never get that back. But they can't steal your innate knowing that there is a right and a wrong. They can't steal your will to make decisions. And eventually at some point everybody has to decide which way they're going to allow their life to go."

Q: From your harrowing childhood to the foster parents that took you in -- it's all on screen in "Buck." Is it an emotional film for you to watch?

A: "It is. Particularly the scene where a friend of mine, Gary Myers, is talking about my brother and I when we were in school together. I've known Gary all my life. For him to tell that story -- when it was at its worst with my dad -- to see how that affected him and how emotional that made him, that's hard to watch. I never knew it affected him so much."

Q: There is one scene in "Buck" where not even you could help a violent horse. You said humans failed the horse. How?

A: "Humans failed in their responsibility to help that horse learn right from wrong at an early enough stage before he became lethal. There's a powerful message in that horse and it is about taking responsibility, whether you're going to have horses, children or dogs. That horse could have been me as a kid. But I happened to go into a foster home with two really wonderful people that turned my life around and started me in the right direction."

Q: Your foster mother, Betsy Shirley is also in the film.

A: "Yes, she's still alive at 88. She is so precious. Every time I see my mom up there, I'm crying. And it thrills me to see my daughter (Reata Brannaman) in the film. I never get tired of seeing that part."

Q: You were an inspiration for the key character in the book and film "The Horse Whisperer." What was fact and what was fiction in that movie?

A: "Everything was fictional about it except what the main character of Tom Booker did for a living. That was the only real part. Throughout the course of the film, it took him all summer to work with that horse. In reality, it wouldn't have taken that long to help that particular horse."

Q: Has "Buck" changed you at all since it came out?

A: "Not really, but I hope it changes some people. I hope some people would think, 'I sure wouldn't mind being like (Brannaman's foster mother) Betsy Shirley.' There are a lot of kids around that people don't want, or that have no place. It might occur to someone to follow the same path that she did. If that's all that came of it, it was worth it."

Tuesday, June 21, 2011

"Hangover" tattoo lawsuit settled


LOS ANGELES (Hollywood Reporter) - Fans of "The Hangover: Part II" can rest easy: the tattoo on Ed Helms' face is staying in the film.

Warner Bros. has settled the lawsuit brought by Missouri tattoo artist S. Victor Whitmill over the mark on Helms' face, which Whitmill claimed infringed a copyrighted tattoo he created for boxer Mike Tyson.

Terms of the settlement were not disclosed. "Warner Bros. and Mr. Whitmill have amicably resolved their dispute. No other information will be provided," Whitmill's attorney Geoff Gerber said.

Sources say the deal was hammered out during an all-day mediation in St. Louis on Friday.

Whitmill, who created the original tattoo and registered the copyright, sued in April asking that a federal judge halt the release of the blockbuster comedy sequel because it prominently features the tattoo without permission.

But on May 24, just days before the film was scheduled to be released, a judge denied Whitmill's request for a preliminary injunction. The judge did suggest that she saw merit in the case, even referring to the studio's defenses as "silly."

In subsequent court filings, Warners said that it planned to digitally alter the tattoo for the home video version of the film if the case didn't settle quickly.

And now it has. A notice of dismissal is expected to be filed shortly, putting an end to one of the odder copyright cases in recent memory. The film, meanwhile, has gone on to earn almost $500 million worldwide.

"Gossip Girl" star to play Jeff Buckley in movie


LOS ANGELES (Reuters) - "Gossip Girl" star Penn Badgley will play Jeff Buckley in a movie about the late singer/songwriter's relationship with his equally noted father, folk singer Tim Buckley, its producers said on Monday.

His casting in "Greetings From Tim Buckley" ends a search that took more than a year and marks the first film ever made about either musician.

The fact-based film is set in the days leading up to the younger Buckley's breakthrough performance at a 1991 tribute concert to his father, who abandoned him as a baby and died of a drug overdose in 1975 aged 28.

He falls for a young woman working at the concert, and comes to understand his father. Meanwhile, the concert sets the singer on the road to stardom. Buckley drowned in 1997, aged 30. He released one studio album during his lifetime, "Grace," which featured a cover of Leonard Cohen's "Hallelujah."

"To play a man who was singularly gifted as an artist, greatly misunderstood & mythologized as a human being ... It's something very special and sacred. I'm going to give all I can to this project," Badgley, 24, said in a statement.

The film will start shooting in August in New York City. Dan Algrant ("People I Know") will direct the independent project from a script that he co-wrote. The roles of Tim Buckley and the girlfriend have not been cast yet.

"Greetings From Tim Buckley" is being produced with the authorization of Tim Buckley's estate. A rival project, a biopic about Jeff Buckley's life, is being developed with the help of his mother and executor, Mary Guibert.

Badgley, who plays Blake Lively's love interest on the teen soap "Gossip Girl," has appeared in such features as "Easy A" and the remake of "The Stepfather."

"Jackass" co-star dies in car crash in Pennsylvania


PHILADELPHIA (Reuters) - Ryan Dunn, a co-star of the "Jackass" movie franchise, died on Monday when a sports car he was driving careened off a highway in Philadelphia, Pennsylvania and burst into flames, police said.

Dunn was driving his 2007 Porsche, which police found "fully engulfed in flames" in a wooded area in outer Philadelphia, police in the West Goshen Township said Monday.

An unidentified passenger also died in the crash that occurred early Monday morning.

The daredevil personality, 34, part of the crew in the top-grossing "Jackass" movie franchise that specialized in risky pranks and gross-out stunts, lived in nearby West Chester, Pennsylvania, police said.

A police statement said a "preliminary investigation revealed that speed may have been a contributing factor to the accident."

The Ohio-born Dunn posted a photo to his Twitter account shortly before the crash which seemed to show him drinking with friends. On his Twitter account he described himself as a "TV personality, movie star, automotive enthusiast."

In 2005, Dunn was charged with driving under the influence of alcohol and entered a first offender's program that allowed him to clear his record after a certain period of good behavior, said Patrick Carmody, Assistant District Attorney in Chester County.

Besides the Jackass movie franchise that has grossed more than $330 million worldwide, according to tracking website Box Office Mojo, Dunn also starred in "Haggard: The Movie," an indie comedy in which the tattooed, bearded, daredevil played himself.

Marilyn Monroe "subway dress" breaks auction record


LOS ANGELES (Reuters) - An auction of actress Debbie Reynolds' Hollywood memorabilia earned $22.8 million over the weekend and included the record-breaking sale of Marilyn Monroe's iconic "subway dress" from 1955 movie "The Seven Year Itch," organizers said on Monday.

The $4.6 million winning bid for Monroe's dress, which billows up with a gust of air as a train rolls by, rose to $5.52 million after taxes and fees were included, and the sum far surpassed pre-sale estimates of $1 million to $2 million.

The dress was among nearly 600 costumes and other memorabilia collected by Reynolds, a singer, dancer and actress who rose to fame during the 1950s and was married to singer Eddie Fisher

"I'm thrilled beyond words. This first auction shows that our great stars were loved by the world," said Reynolds. A second sale of Reynolds' items will take place on December 3.

Auctioneer Profiles in History said the previous costume sales record was held by Audrey Hepburn's iconic little black dress from the 1961 film "Breakfast at Tiffany's," which sold for $923,187.

The auction resulted in several major sales that surpassed that figure. Hepburn's ascot dress from "My Fair Lady" fetched $4.4 million, and Judy Garland's blue cotton dress from "Wizard of Oz" drew $1.09 million.

Peter Fonda marries in Hawaii


LOS ANGELES (Reuters) - "Easy Rider" actor Peter Fonda was married to Margaret "Parky" DeVogelaere over the weekend in Hawaii, his representative said on Monday.

DeVogelaere is the actor's third wife. His previous marriage, to Portia Rebecca Crockett, lasted 36 years but ended in divorce earlier this year.

The 71 year-old actor and son of the late Henry Fonda is best known for playing free-wheeling biker Wyatt in the classic 1969 film "Easy Rider." He also was nominated for an Oscar for his role in the 1997 movie "Ulee's Gold" and recently appeared in TV drama "CSI: NY."

Sunday, June 19, 2011

Jolie thanks Italy for opening doors to refugees


LAMPEDUSA, Italy – Angelina Jolie traveled to the tiny Italian island of Lampedusa on Sunday and thanked its residents for welcoming in the estimated 20,000 migrants who arrived after fleeing unrest in Tunisia and Libya.

Jolie, a goodwill ambassador for the U.N. High Commissioner for Refugees, toured a migrant holding center, chatted with some refugees and then participated in a ceremony at Lampedusa's memorial for migrants lost at sea as part of commemorations for World Refugee Day on Monday.

"You cannot imagine what you represented to all those people this year who were looking desperately for help," Jolie was quoted as saying by the ANSA news agency.

U.N. refugee chief Antonio Guterres also was on hand to urge Europe to continue keeping its doors open to refugees. Italy's center-right government has begrudgingly accepted the migrants, but has also struck deals with Tunisia and the Libyan opposition to return those who don't qualify for asylum.

Guterres said the debate in Europe about immigration "doesn't correspond to the reality," given that the number of African migrants who have arrived in Europe is a fraction of the numbers who have gone elsewhere.

"Obviously, for a small island like Lampedusa, to have such a large number of people coming is a huge pressure," he told reporters. "But for Europe as a whole it is a drop in the ocean, and so I believe that with an adequate form of solidarity this challenge can be overcome."

Lampedusa, with a permanent population of 6,000, was overwhelmed this spring by waves of refugees fleeing the social uprising in Tunisia, with an estimated 20,000 arriving on the island, which is closer to Africa than mainland Italy. Boats continue to arrive from Libya, but eventually the refugees are transferred to holding centers elsewhere in Italy or sent back home unless they qualify for asylum.

Pope Benedict XVI urged countries to welcome refugees for as long as they need sanctuary in a message delivered Sunday while visiting the tiny republic of San Marino, itself founded in the early 4th century by a Christian refugee from Croatia.

"I invite civil authorities and every one of good will to guarantee a welcome and dignified living conditions for refugees until they can return to their countries freely and safely," Benedict said.

Yet as he spoke, members of Premier Silvio Berlusconi's government heated up the anti-immigrant rhetoric during an annual rally of the xenophobic Northern League party near the northern city of Bergamo.

Interior Minister Roberto Maroni drew cheers from the crowd when he boasted of the hardline policies he has pushed through to return migrants back to their home countries.

Reynolds' 'Lantern' has low-beam debut of $52.7M

LOS ANGELES – Ryan Reynolds is the latest superhero to rule the weekend box office.

Reynolds' "Green Lantern" debuted at No. 1 with $52.7 million domestically, a fair but unremarkable opening stacked up against other comic-book adaptations. The movie added $17 million in a handful of overseas markets where it has opened, including Great Britain and Russia.

Released by Warner Bros., "Green Lantern" brought up the rear among superhero movies to open so far this summer, behind the $65.7 million debut of "Thor" and the $55.1 million launch of "X-Men: First Class."

The previous weekend's top flick, Paramount Pictures' sci-fi adventure "Super 8," slipped to No. 2 with $21.3 million. Its domestic total rose to $72.8 million.

Jim Carrey's family comedy "Mr. Popper's Penguins" had a frosty start as the 20th Century Fox release came in at No. 3 with $18.2 million.

Overall business cooled for the second-straight weekend. Hollywood revenues totaled $149 million, down a steep 25 percent from the same weekend last year, when Disney's Pixar Animation blockbuster "Toy Story 3" debuted with $110.3 million, according to box-office tracker Hollywood.com.

Receipts this summer season still are ahead of last year's, with revenue climbing to $1.56 billion since the first weekend in May, up 7 percent from 2010's pace.

Another Pixar animated sequel, "Cars 2," could steer Hollywood upward again this coming weekend.

"We're fine. We're still ahead of last summer, and Pixar is going to have a chance to get us back in the mix next weekend," said Hollywood.com analyst Paul Dergarabedian.

Adapted from the DC Comics series, "Green Lantern" stars Reynolds as a cocky test pilot who gains superpowers after he becomes the first human recruit of a galactic police force.

The movie was trashed by critics, and after a solid $21.6 million haul on opening day Friday, "Green Lantern" trailed off sharply as revenues dropped 22 percent Saturday. That's often a sign that a movie lacks staying power, since revenues for new releases typically rise on Saturday.

With school letting out for the summer, Warner Bros. executives hope the movie will draw teenagers in on the weekdays.

"The mid-weeks are going to tell the tale of the movie," said Dan Fellman, head of distribution for Warner. If "Green Lantern" does good business come Monday, "then all bets are off and we're back in the game."

Likewise, 20th Century Fox is counting on good holdover business for "Mr. Popper's Penguins," a children's book adaptation that stars Carrey as a neglectful dad who learns the value of family ties after he inherits half a dozen pesky penguins.

"It's a heartwarming PG comedy that everybody can go see," said Fox distribution executive Bert Livingston. "There's humor for adults in there, and it's got penguins. People love penguins."

In narrower release, Freddie Highmore and Emma Roberts' teen romance "The Art of Getting By" flopped with a debut of just $700,000.

Released by Fox Searchlight, "The Art of Getting By" played in 610 theaters and averaged a dismal $1,148 a cinema.

That compared to a $13,806 average in 3,816 theaters for "Green Lantern" and $5,451 in 3,339 cinemas for "Mr. Popper's Penguins."

The Warner Bros. sequel "The Hangover Part II" pulled in $9.6 million domestically and $21.4 million overseas to raise its worldwide total to $488 million. That topped the $468 million global haul of 2009's "The Hangover."

Disney's "Pirates of the Caribbean: On Stranger Tides" padded its lead as the biggest worldwide box-office draw released this year. The movie took in $6.2 million domestically and $25.9 million internationally to lift its total to $952.2 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Where available, latest international numbers are also included. Final domestic figures will be released Monday.

1. "Green Lantern," $52.7 million ($17 million international).

2. "Super 8," $21.3 million.

3. "Mr. Popper's Penguins," $18.2 million.

4. "X-Men: First Class," $11.5 million.

5. "The Hangover Part II," $9.6 million ($21.4 million international).

6. "Kung Fu Panda 2," $8.7 million ($52.5 million).

7. "Bridesmaids," $7.5 million ($7.3 million international).

8. "Pirates of the Caribbean: On Stranger Tides," $6.2 million ($25.9 million international).

9. "Midnight in Paris," $5.2 million.

10. "Judy Moody and the NOT Bummer Summer," $2.2 million.

Angelina Jolie thanks Italian islanders for hosting refugees


OME (AFP) – Hollywood star Angelina Jolie on Sunday made a surprise visit to the Italian island of Lampedusa, thanking residents for hosting thousands of refugees who have fled unrest in north Africa in recent months.

The US actress travelled from Malta with the United Nations High Commissioner for Refugees Antonio Guterres to the Mediterranean island that has been flooded with more than 40,000 asylum-seekers since the start of 2011, the UN refugee agency said.

Jolie, also a goodwill ambassador for UNHCR, attended a small ceremony honouring those who died at sea after packing themselves on overcrowded vessels to escape the violence in North Africa.

The Catholic organisation Sant Egidio says 1,820 migrants fleeing north Africa, most from countries in sub-Saharan Africa, have drowned in the Mediterranean Sea this year while trying to reach Europe.

Jolie noted the horrific decision forced on those who had no choice but to try crossing unpredictable seas on makeshift rafts, risking drowning and starvation.

In Malta, Jolie and Guterres visited detention facilities where some new arrivals are held while their asylum requests are processed.

"We've spoken about our shared concerns about making sure asylum claims are processed as quickly as possible so no one is sitting in a prison-like situation and waiting on a decision about their status," Jolie said.

"They are not asking to go to any particular country, they just want to find safety to work and to have freedom."

Guterres noted that island residents had some difficult moments of late, particularly in March, when a surge of people arrived on the island after fleeing Libya when NATO began bombing targets linked to Moamer Kadhafi's regime.

On Friday, Jolie visited a camp in Turkey where some 9,600 Syrian refugees are camped after fleeing their government's brutal crackdown on pro-democracy demonstrators.

Friday, June 17, 2011

"Beaver" acclaim spurs Mel Gibson comeback plans

LOS ANGELES (Hollywood Reporter) – In May, Mel Gibson stood basking in the applause of the black-tie audience as "The Beaver" premiered at the Cannes Film Festival. But now Cannes has come and gone, and so has "Beaver," which grossed less than $1 million at the North American box office.

So where does Gibson, whose image was tarnished by his outbursts during his bitter custody battle with his former girlfriend, go from here?

Turns out, Hollywood is still eager to get into the Mel Gibson business. "Beaver" earned him some good reviews, and the general consensus is that any star would have had a hard time opening the quirky drama. "It was just a heavy, depressing, tough art movie," says one distributor.

Gibson hasn't had an agent since William Morris dropped him last summer, but several agencies are courting the actor, according to knowledgeable sources.

"There's a lot of interest on the agency side, but I don't think anything is imminent," says the actor's spokesman, Alan Nierob.

There are other questions on the table: Gibson has completed a film that he produced, "How I Spent My Summer Vacation," but it has yet to find a U.S. distributor even though it sold in most other global territories.

Directed by Adrian Grunberg -- who served as first assistant director on Gibson's "Apocalypto" -- the sure-to-be-R-rated movie is set in a tough Mexican prison where Gibson's character, an American on the run, is thrown after being seized by Mexican authorities. There, he strikes up a friendship with a 9-year-old boy.

Summit, Lionsgate and FilmDistrict have screened the picture, but so far no takers. "It's an interesting, cool movie," says one buyer who passed. "In fact, it has what I'd call a Tarantino-esque feeling."

There also is the question of what movie Gibson might take on next. Lately, he's been talking up a proposed film version of Randall Wallace's novel "Love and Honor," a swashbuckler set in the court of Catherine the Great. Wallace, who wrote Gibson's "Braveheart," is looking to direct.

More immediately, Gibson also has been offered a role in "Sleight of Hand," a heist movie with Gerard Depardieu and Til Schweiger; it is set to begin filming in Paris in August.

"Green Lantern" emerges from obscurity; critics pounce

LOS ANGELES (Reuters) – The universe has probably never been safer if the proliferation of comic book superheroes on the big screen is any indication.

Marvel adventures "Thor" and "X-Men: First Class" have sold nearly $800 million worth of tickets combined at the worldwide box office in recent weeks, and "Captain America" is getting ready for a July 22 release across North America.

Stepping into the breach Friday is "Green Lantern," starring Ryan Reynolds as the ring-wielding intergalactic space cop immortalized in D.C. comic books.

The $150 million Warner Bros. picture tells the story of Earth's first member of the Green Lantern Corps and his maiden task -- to beat back and defeat mega-villain Parallax, a planet-killing entity that thrives on fear.

Blake Lively co-stars as his love interest, while Peter Sarsgaard and Mark Strong are on board as villains.

The film's director, Martin Campbell, who rebooted the James Bond franchise with the gritty "Casino Royale," acknowledges that the "Green Lantern" is a lesser-known member of the D.C. comics pantheon, but so what?

"We had a little bit more work to do," Campbell told reporters recently. "It wasn't in as many people's consciousness as Superman or Batman may have been."

But "Iron Man was a second-tier (Marvel comics) character that turned out very well," he points out. "Whether a superhero is second-tier or first-tier is irrelevant ... The movie has to stand alone."

"CLUTTERED CHAOS"

Early "Green Lantern" reviews were overwhelmingly negative. The New York Observer said the film was "a dumb, pointless, ugly, moronic and incomprehensible jumble of botched effects, technical blunders and cluttered chaos."

In slightly more measured tones, Variety said the "visually lavish sci-fi adventure" was "a highly unstable alloy of the serious, the goofy and the downright derivative."

Still, bullish sources at Warner Bros. expect the film to gross at least $50 million during its first three days of release in the United States and Canada. That would put it in the same range as "X-Men: First Class," which opened to $55 million earlier this month and has grossed $104 million to date.

The critics were generally kind to Reynolds, who was last seen by a handful of people trying to escape a coffin in "Buried." He seemed a natural choice to play a character less riven by internal demons than recent movie superheroes have tended to be.

As hot-shot fighter pilot Hal Jordan, the 34-year-old Canadian actor -- who has a fear of flying -- lent a casual wisecracking charm to a guy given the modest challenge of saving the universe.

"A lot of the current iterations of superheroes are a little bit darker and serious in tone," Reynolds told reporters in a recent interview. "This is a bit of a throwback. There's a lot of fun in the character."

So much fun that there is inevitable talk of a sequel. Indeed, viewers who sit through the credits at the end will learn which character becomes a villain in the next episode.

Lively joked she'd like to play the villain next. Strong, who co-stars as Green Lantern Corps leader Sinestro, said he played up certain personality traits that might eventually push his character to the dark side -- as happened in the comics.

Those little teasers hint at the degree of thought that may have gone toward a second installment, even before the opening credits roll on the first.

But if a sequel does not get the green light, Reynolds will get a fresh crack at fanboy glory in yet another obscure comic-book adaptation headed to the big screen. He is attached to reprise the villainous role of Deadpool in a spin-off of the "X-Men: Wolverine" spin-off.

Film puts spotlight on NYC sex-crimes prosecutors

NEW YORK – Dominique Strauss-Kahn's sexual assault case has shoved Manhattan's sex-crimes prosecutors under a microscope, but they were already getting ready for their close-up.

A documentary film that goes behind their usually firmly closed doors debuts Monday on HBO.

Shot well before the former International Monetary Fund leader's arrest, "Sex Crimes Unit" is airing just as his case and a closely watched rape trial of two police officers have given the subject a new currency.

"I was very lucky," filmmaker Lisa F. Jackson says.

She captured a kaleidoscopic look at prosecutors strategizing, visiting a crime scene, picking jurors, solving a cold case and occasionally talking baseball in one of the nation's most prominent sex-crimes prosecution offices.

Along the way, the documentary peers into the paper-stuffed offices, long workdays and zealous-but-human personalities of prosecutors — some directly involved in Strauss-Kahn's or the police officers' cases — whose real-life jobs often end up echoed in TV drama. Indeed, assistant district attorney Coleen Balbert muses in the documentary about the many times she's walked past a shoot for the "Law & Order" franchise, which has used the Manhattan DA's office as a template and local courthouses as a backdrop.

"It's so glorified on TV," she says.

In reality, "you know you're trying to do the right thing, and sometimes, people just don't care," including the victims, she adds later. "You definitely need to get thick-skinned."

The Manhattan District Attorney's office has had a sex crimes unit since 1974 and has called it the first of its kind nationwide. It now has about 40 lawyers and 300 cases at any given time.

Jackson, whose previous work includes "The Secret Life of Barbie" and "The Greatest Silence: Rape in the Congo," yearned for years to make a film about the sex crimes unit. She brought it up with then-DA Robert Morgenthau as he prepared to retire in 2009, after 35 years in office.

Prosecutors are often reluctant to discuss their work out of court. Indeed, current DA Cyrus R. Vance Jr.'s administration declined an interview request about the documentary. But Morgenthau said he didn't hesitate to OK Jackson's project.

"I thought it was important for people to understand how sex crimes are handled," he said in a telephone interview last week.

His review of the film? "You learn something, and it also grabs you."

While Jackson was allowed unusual access, limits included a ban on using footage about any case not resolved when the film was being finalized. Among the cuts were pieces related to the rape case against now-ex police officers Kenneth Moreno and Franklin Mata, Jackson said. Mata and Moreno were convicted last month of official misconduct but acquitted of rape and all other charges.

Balbert, who appears prominently in Jackson's film, was a key prosecutor in their trial. The documentary also features two colleagues who have appeared in court on Strauss-Kahn's case, sex crimes unit chief Lisa Friel and assistant district attorney John "Artie" McConnell. Friel, viewers learn, has a sign on her desk saying, "I have flying monkeys, and I'm not afraid to use them!"

Prosecutors extol the effectiveness of a surveillance videotape against Luis Zambrano, who admitted trying to rape a woman who had passed out at a nightclub. They discuss getting a photograph of a victim to juxtapose with her frantic 911 call in a case against Torkieh Sadagheh, a livery cab driver who ultimately pleaded guilty to raping one passenger and trying to rape another within 40 minutes.

But one of the film's most affecting perspectives comes from Natasha Alexenko, who was raped at gunpoint as a college student by a man who followed her into her apartment building in 1993. Fourteen years later, she got a call from prosecutors saying a DNA sample had matched a suspect, Victor Rondon.

While she had put the case out of her mind, "it, all of a sudden, made me feel: These people still care. They're still working on it," Alexenko said in a telephone interview. Rondon was convicted and sentenced to 44 to 107 years in prison. Alexenko now runs Natasha's Justice Project, which advocates for swift DNA testing of samples collected in rape cases.

The Associated Press doesn't identify sex crime victims unless they agree to it, as Alexenko did.

If the documentary offers an inside view, it's from prosecutors' vantage point — a peeve some defense lawyers have with television and portrayals of the legal system in general, says Elizabeth Kelley, a Cleveland criminal defense lawyer who sometimes blogs about such issues at elizabethkelleylaw.com.

"Sex Crimes Unit" includes just one defense lawyer, who represents a man who is tried and convicted during the film of raping a prostitute. The defendant, Kevin Rios, said the sex was consensual.

"There's no question that it is very geared toward presenting the side of the prosecution. It leaves a lot out, in terms of the reality that not every case is cut-and-dried," his lawyer, Kimberly Summers, said in an interview. But she called the film an interesting look at prosecutors' work.

Jackson said she chose to keep the focus on the DA's office, noting that she also didn't include police.

"I realized there was enough going on — it was a world unto itself there," she said.

Danish Ballet, revamped, takes fresh U.S. tour


NEW YORK (Reuters) – The Royal Danish Ballet, one of the world's oldest dance companies, is showing a fresh face during its first U.S. tour in 23 years.

Nikolaj Hubbe, the former New York City Ballet star who took over as artistic director three years ago, is the man behind the makeover. Although the company is 250 years old, Hubbe said it didn't need a facelift.

"But you need to adjust the spirit so that there is still a sense of youthfulness and freshness about the face," he added.

The procedure was radical. Hubbe, fresh from his farewell performance at NY City Ballet in 2008, returned to Copenhagen to shake up the company that had nurtured him and which critics said had become stodgy after he moved to the Big Apple 16 years earlier.

Hubbe said discipline was lacking, dancers skipped daily classes, and an abundance of teachers led to a decline in classical technique.

"I just don't believe 24 different teachers in one year is conducive to any deeper understanding of classical technique," Hubbe said during an interview after a rehearsal at New York's Lincoln Center where the tours ends on Saturday.

Hubbe imposed full daily classes, stressed pointe work for women dancers and whittled down the teaching staff to less than 10 to create consistency.

On stage, he revamped venerated mid-19th century works by August Bournonville, the choreographer whose genteel Romantic style is most identified with Danish ballet.

His 1842 classic "Napoli" was transported to a 1950 setting that recalls Fellini's films, upsetting conservatives but delighting audiences eager for a breath of fresh air.

"Some people loved it and some hated it. No one was in the middle. I thought that was good," said Hubbe who, at age 20, had danced the same ballet during the company's U.S. tour in 1988.

The repertoire for the U.S. tour, which began on May 24 in California, includes modern pieces by Jorma Elo and Flemming Flindt.

With a year left to his four-year contract as artistic director, Hubbe is working quickly to extend his agenda.

"I don't know" if the contract will be extended, he said. "It's good not to know (because) it keeps you on your toes."

Hubbe is adding George Balanchine's neoclassical "Nutcracker" to the repertoire. "Chroma" by experimentalist Wayne McGregor, who incorporates computer imagery and digital soundscapes into his dances, will be added next year.

Asked how Bournonville's soft Romantic style would look if his company keeps moving toward virtuosic works that require stronger attack, higher legs and greater flexibility, Hubbe reflected deeply for about a minute.

"You see that?" he said, pointing to a clunky old TV set in his hotel room. "The old tube is extinct. Hopefully, it will look like Bournonville HD."

"Anyway, nobody knows what authentic is. You have to have a broad range of interpretations. Otherwise, you become a museum -- see, don't touch," Hubbe said.

Wednesday, June 15, 2011

Jim Carrey holds his own in "Mr. Popper's Penguins"

LOS ANGELES (Hollywood Reporter) – If Disney's "101 Dalmatians" inspired a run on what many canine experts consider a very demanding dog, then Fox will now have to take the blame when children beg their parents for pet penguins.

The six penguins cast in the amiable family comedy "Mr. Popper's Penguins," steal the movie -- along with any fish they can find. The film's nominal star, Jim Carrey, manages to hold his own. Barely.

With the film opening on Friday, the only question is: How many children are we talking about? Pixar's "Cars 2" comes out a week later, and will likely siphon off the family crowd. Fox can expect a middling performance although you can't discount the allure of penguins following "March of the Penguins" and "Happy Feet."

For the record, these are not the Emperor penguins from those films but rather Gentoo penguins. Make that highly trained Gentoo penguins that force their human co-stars to work on 40-degree sets and need a constant supply of fish to perform.

The film, from director Mark Waters ("Mean Girls," "Freaky Friday"). encourages viewers to think of the tuxedo birds as silent-movie comics. They watch Charlie Chaplin movies on TV, then imitate his acrobatic pratfalls and slapstick as they bounce around Carrey's lavish Park Avenue apartment. There are certain stunts, of course, even a Gentoo can't reliably perform so computerized birds are frequently substituted into the action.

The film is based on a 1938 novel by the husband-and-wife team of Richard and Florence Atwater. Much has been changed in this update including the need for the penguins to redeem the film's hero.

Trouble is Tom Popper isn't really a bad dude. Sure he's divorced, but rather amicably from Amanda (Carla Gugino) and he's a decent, caring father. Oh sure, he doesn't completely understand daughter Janie's (Madeline Carroll) continual boyfriend problems, but then again when she launches into the latest boyfriend crisis, no one does.

Certainly her younger brother Billy (Maxwell Perry Cotton) thinks dad is swell. He does work for an aggressive Manhattan real estate firm but these are hardly capitalist monsters. The owners just want to buy the venerable Tavern on the Green in Central Park to tear it down to build God-only-knows-what. This is a subplot that is hardly worth the bother other than to bring in the equally venerable Angela Lansbury into the film as the restaurant's owner.

The penguins enter Mr. Popper's life as a final gift from his peripatetic father, a rolling stone who visited every corner of the globe except his own home. The father means to reinforce the importance of family on his son -- an idea he evidently embraced very late in life -- through these loving and loyal birds.

Certainly his own children better appreciate dad now that joint-custody visits entail romping with these comical birds, albeit in an apartment kept near freezing and full of dead fish.

So the movie clears a lot of space for the birds to caper all over the 3,200-square-foot apartment and around Manhattan when they go out. This includes water sliding down the famous spiraling ramp of the Guggenheim Museum. (No doubt, this was mostly if not entirely accomplished with CG birds.)

The weakness throughout is a story where subplots never really add up to much. These include the mercenary apartment building receptionist (Desmin Borges), a nosy neighbor (David Krumholtz), a mildly villainous zoo keeper (Clark Gregg) and Popper's perky assistant Pippi (Ophelia Lovibond), who speaks alliterately with a fondness for the letter "p," a peculiar and perturbing penchant that provokes audience exasperation pretty quickly.

The movie even strands Lansbury with an inconsequential role of a rich snob who declares the 1992 Krug Champagne a "ghastly vintage" when in fact it's a spectacular one.

Credit Carrey for finding funny and silly ways to clown around with his avian co-stars. Thankfully, he doesn't revert to the Ace Ventura of his younger years. His are an older man's skillful muggings and slapstick, using word deployments -- "Y'absolutely!" he always answers in the affirmative -- and a lanky body to tweak the comedy. He's still fun to watch and has gotten over his need to push for jokes and gags where none exists.

Waters keeps things moving briskly through the slumps in the script to get back to penguin antics a swiftly as possible. Production values are glossy as the film delivers a fairy-tale New York where penguins can romp without anyone thinking this is in any way odd. Well, other than those big-buck donors at the Guggenheim charity reception.

"Crow" remake legal battle heads to arbitration

LOS ANGELES (Hollywood Reporter) – The heated dispute between a pair of independent studios over distribution rights to the planned remake of "The Crow" will be decided in private.

A Los Angeles Superior Court judge on Wednesday granted Relativity Media's motion to compel arbitration based on a clause in the contract at issue in the case.

The Weinstein Co. sued Relativity in April claiming it had breached a 2009 distribution agreement that allegedly gave Weinstein the right to release the movie globally.

Weinstein principal Harvey Weinstein was upset that Relativity chief Ryan Kavanaugh had been shopping distribution rights to a remake starring Bradley Cooper and directed by Juan Carlos Fresnadillo, in apparent violation of the deal.

But Relativity fired back, claiming that Weinstein botched the release of the 2009 musical "Nine" so badly that Relativity, which invested in that film, was forced to ask whether Weinstein had the funds available to release "The Crow" properly. When Harvey Weinstein allegedly balked at showing he was able to commit money to a release, Relativity said it looked elsewhere.

Relativity said in a statement that it expected to prevail on all of its claims in arbitration. Weinstein countered that Relativity "should be ashamed of themselves" for getting excited about winning a procedural decision.

'Panda' climbs to top of international box office


LOS ANGELES – After three weeks in release, "Kung Fu Panda 2" has finally kicked and chopped its way to the top of the international box-office charts with a weekend total of $56.5 million in 45 territories. The kid-friendly animated film has benefited from the booming 3-D overseas marketplace and its global appeal is evident, having earned over $330 million worldwide.

Big news as "Pirates of the Caribbean: On Stranger Tides" becomes Disney's biggest international release ever with $695.9 million in revenue after a month in theaters. A fourth weekend total of $41.1 million in 46 territories lands the 3-D pirate epic in second place and propels it to a massive worldwide total of $907.4 million.

Debuting internationally in fifth place is the Abrams-Spielberg sci-fi piece "Super 8," which managed a $6.7 million weekend tally in just nine territories. The film, which has earned over $50 million globally, should move up the international chart in the coming weeks as it expands into more foreign theaters.

Here are the top 20 movies at international theaters last weekend, followed by international gross for the weekend (excluding North America), number of theater locations, number of territories, worldwide gross to date (including North America), and number of weeks in release as compiled Wednesday by Rentrak and provided by Hollywood.com. Figures may differ from the numbers given above, which are provided by the studios:

1. "Kung Fu Panda 2," $43,026,967, 7,799 locations, 33 territories, $345,630,461, three weeks.

2. "Pirates of the Caribbean: On Stranger Tides," $34,563,880, 8,865 locations, 46 territories, $798,795,844, four weeks.

3. "X-Men: First Class," $34,004,844, 9,196 locations, 48 territories, $234,386,006, two weeks.

4. "The Hangover 2," $33,660,449, 8,177 locations, 41 territories, $426,269,683, three weeks.

5. "Fast Five," $3,870,621, 3,452 locations, 43 territories, $566,226,276, eight weeks.

6. "Gokaiger Goseiger," $3,596,086, locations not available, one territory, $3,596,086, one week.

7. "Super 8," $3,578,094, 3,826 locations, eight territories, $53,284,286, one week.

8. "Insidious," $2,722,159, 650 locations, 11 territories, $75,926,314, 11 weeks.

9. "Limitless," $2,696,485, 678 locations, 14 territories, $145,779,956, 13 weeks.

10. "All Inclusive," $2,508,527, locations not available, one territory, $2,508,527, one week.

11. "Paradise Kiss," $2,297,180, locations not available, one territory, $7,283,368, two weeks.

12. "Sunny," $2,145,818, locations not available, one territory, $32,551,622, six weeks.

13. "The Tree of Life," $1,972,841, 206 locations, 10 territories, $16,398,462, four weeks.

14. "Source Code," $1,947,447, 1,085 locations, 17 territories, $113,042,483, 11 weeks.

15. "Drucker in the Dug-Out," $1,842,803, locations not available, one territory, $5,539,380, two weeks.

16. "Star Watching Dog," $1,795,269, locations not available, one territory, $1,795,269, one week.

17. "Midnight in Paris," $1,782,967, 1,661 locations, three territories, $34,490,730, five weeks.

18. "Princess Toyotomi," $1,756,703, locations not available, one territory, $13,226,214, three weeks.

19. "Rio," $1,720,242, 2,580 locations, 36 territories, $468,526,715, 10 weeks.

20. "Scabbard Samurai," $1,543,423, locations not available, one territory, $1,543,423, one week

Hugh Jackman eyes "Les Miserables" film

LOS ANGELES (Hollywood Reporter) – Hugh Jackman is in talks to star in a big-screen musical adaptation of "Les Miserables" for Oscar-winning "King's Speech" director Tom Hooper.

Jackman would play Jean Valjean, the man who steals bread to feed his sister and spends the ensuing years in prison (or trying to escape it) while also becoming the guardian of a young woman named Cosette, all against the backdrop of the French Revolution.

William Nicholson wrote the script. The Working Title/Universal project is based on the Victor Hugo book but best known to millions as one of the longest-running musicals around.

Les Miz, as it's lovably known, would be the first time that Jackman, a singer and dancer with a Tony Award for his role in "The Boy from Oz," would perform on the big screen. The actor was scheduled to reprise his "X-Men" spin-off role as Wolverine in a sequel that was to have shot later this year, but the lack of a director on the project has thrown a wrench into that timetable.

Stuntmen fail to get Oscar recognition

LOS ANGELES (Hollywood Reporter) – The Academy of Motion Picture Arts and Sciences has declined to create an Oscar category for stunt coordinators, a group that's been trying for 20 years to achieve such recognition.

Stunt coordinator Jack Gill, who has been leading that effort, told The Hollywood Reporter that the Academy informed him that it appreciates the work coordinators put into movies but will not add any new categories, even if the coordinators agreed to be in a non-telecast pre-Oscars ceremony.

In an e-mail, Gill said, "I will try again next year and gather more and more support."

Past efforts have received the support of big-screen action heroes like Arnold Schwarzenegger.

Stunt coordinators can become members of the Academy, but in the At-Large branch (which also includes casting directors). Only 19 are members, however, and at most two are admitted per year. At-Large members have all the privileges of branch membership except for representation on the board.

One stunt performer (not coordinator) has actually won a statuette from the Academy, Yakima Canutt, but his 1966 award was an honorary one -- "for achievements as a stunt man and for developing safety devices to protect stunt men everywhere -- rather than an award in a specified category.

In 2001 British stuntman Vic Armstrong, a frequent double for Harrison Ford, won a technical achievement Oscar plaque for designing a stunt system.

Stunt coordinators design the complex stunts seen in movies and TV shows -- car chases, fight scenes, fiery explosions, underwater work, high dives and more. The stunts are then executed by stunt performers (stuntmen and -women), or occasionally by principal performers.

Turkey: Jolie seeks to visit Syrian refugees

STANBUL – Turkey says Angelina Jolie wants to visit Syrian refugees who have fled violence and are camped out on the Turkish side of the border.

Foreign Ministry spokesman Selcuk Unal said Wednesday that an application to visit the refugees has been made on behalf of the Hollywood celebrity and goodwill ambassador for the U.N. High Commissioner for Refugees.

Unal says the application is being assessed.

Turkey says more than 8,500 Syrians have fled to Turkey to escape a crackdown on an anti-government uprising.

In April, Jolie traveled to Tunisia during its refugee crisis as thousands fled from its war-torn neighbor, Libya.

Elizabeth Hurley, Arun Nayar granted divorce

LONDON – Actress Elizabeth Hurley and businessman Arun Nayar have divorced after four years of marriage.

The divorce decree was granted at a brief hearing in London Wednesday by District Judge Penny Cushing.

Neither Hurley nor Nayar was in court.

The British actress and Indian businessman married in 2007 at an English castle, with singer Elton John giving the bride away. They followed up the private civil ceremony with a lavish and traditional Hindi wedding in Jodphur, India.

Hurley announced last December that the couple had separated. She has since been romantically linked to Australian cricket star Shane Warne.

Hurley, 46-years old, dated actor Hugh Grant for more than a decade and has a nine-year-old son, Damian, from a relationship with film producer Steve Bing.

Warner Bros to offer on-demand movies in China

SHANGHAI (Reuters) – Warner Bros Entertainment will distribute on-demand movies in China starting this summer, through an agreement with China's YOU On Demand Holdings Inc, Warner Bros said in a statement on Wednesday.

Warner Bros, a unit of Time Warner Inc, will be the first studio to offer films in China via this method and will have the potential to reach 200 million cable households through YOU On Demand's pay-per-view and video-on-demand platform.

Warner Bros, which distributes the popular Harry Potter movie franchise, could be available to as many as 3 million households by the end of the summer.

"China is developing methods for consumers to view movies outside the cinema in a legitimate fashion," said Jim Wuthrich, president of Warner Bros' International Home Video and Digital Distribution.

Foreign movies are available in cinemas through a quota system that limits the number of foreign movies screened in China each year. Otherwise, foreign movies are widely accessible to the public on pirated DVDs that can be bought on the black market for less than a dollar.

The problem of rampant piracy has robbed Hollywood studios and music production companies of millions in profit in the world's most populous country.

Strict media controls also disallow foreign studios from having their own channels, forcing some media companies such as Walt Disney Co to concoct creative methods, such as teaching English to children, to reach the populace.

"I'm excited for the millions of Chinese consumers that will be able to experience and enjoy the very best content that Hollywood has to offer through the YOU On Demand platform," said YOU On Demand Chief Executive Shane McMahon.

Physiques ab-solutely key to 'Lantern'


BEVERLY HILLS, Calif. – Ryan Reynolds is ready to trade one six pack for another.

The actor admitted he was sick of talking about his well-defined abs, which are on display so prominently in the new, big-screen adaptation of "The Green Lantern" comic-book series that they practically deserve their own billing.

"God, on a scale of one to 10 — one being, 'This is delightful' to 10 being, 'I can't stop vomiting' — probably somewhere around a nine; just dry-heaving at this point," the actor noted, with a smile.

The lanky Reynolds has certainly looked fit onscreen before, perhaps most notably in "The Proposal'"s scene where his and Sandra Bullock's characters accidentally run into each other — naked.

"There's no starvation," he said of his "Lantern" role-prep diet. "It's the opposite. It's eating, eating, eating. I don't typically eat like that. So, it's a lot about getting a little bit bigger and stronger, too. So, a lot of it's functional, too, because you just get your ass kicked like this. So, you want to get up after falling on the cement 45 times in a row."

While physical training for a movie was nothing new to Reynolds, that didn't make it any easier for "Lantern," which opens this weekend. "The goal is, no matter how you feel, you just got to get up and do it. It's three in the morning because you've got a five a.m. call," Reynolds explained. "You know, it's just part of the job. You know, 'This too shall pass. This is 10, 11 months right now. But, pretty soon, I'll be able to sit on the couch and have a beer, 10 beers. It's all the same. I'm Canadian."

Both the 34-year-old Reynolds and co-star Mark Strong (a British thespian perhaps best known for the third and sixth "Prime Suspect" films) spend much of the time in "Lantern" in green suits that are so formfitting they look sprayed on. "Unforgiving," noted Strong, 47.

"It's funny to me from where I come from, the work I've done, coming from the theater, that over the past 25 years, part of being an actor is your physical appearance, in terms of whether you're fit or whether you look good naked. That never really used to be an issue. It's a kind of recent — for the last 10 years — phenomenon for an old (guy) like me. I have to keep up with the young guys."

Added Reynolds, "When Mark signed on to the film, I knew we had something special there __ specifically because if the franchise is to continue, which everybody hopes it will, then what's going to happen is that war between Hal (Reynolds' character) and Sinestro (Strong's character). That's something that's going to be interesting."